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“Every time I go to Paris things just happen,” Kylie Jenner told Giles Hattersley in her September 2024 cover profile, providing a quote to rival her vintage description of 2016 as, “the year of realising stuff”. But she wasn’t wrong: things do just happen in Paris, chief among them being invited to Chanel’s spring/summer 2025 couture presentation, marking the first time the maison has hosted a Kar-Jenner on the front row since Karl Lagerfeld summoned Kris to his pared back autumn/winter 2016 show.

Kylie Jenner attends the Chanel Haute Couture Spring-Summer 2025 show

Arnold Jerocki/Getty Images

There was (and I am extending a comforting hand to Club Chalamet here) more than a whiff of Lily-Rose Depp to Kylie Jenner’s look: a tweed skirt set with patent block heels and a quilted vanity case – a piece that I am sure is already in the possession of Kylie’s older sister, Kim. She spent much of 2023 stockpiling vintage – often ultra-rare – Chanel pieces, including minuscule fanny packs, five vanity cases, quilted cuboids and one pearl-shaped spring/summer 2012 handbag. Even despite Kendall’s turns on the brand’s catwalks – for which her family has been conspicuously absent – Chanel has perhaps been a touchy subject for the reality TV dynasty, sensitivity that could (could) stem from the time Lagerfeld caused Kim to sob in a toilet.

In the film, Jalali and her eldest sister walk through the Rainawari neighbourhood of Srinagar, where their family’s old home once stood. They’re welcomed by surprised shopkeepers, delighted to see Madhulika all grown up. “Your love for your homeland has brought you back,” a mutton shop owner tells them. “There has been no difference in our love, just that we’ve grown old,” says another. Her sister breaks down.

The documentary, five years in the making, transformed Jalali. Today, she no longer reacts impulsively like she once did. She understands the importance of divergent opinions and the need to listen to all points of view. Some things, though, never change, like the meagre funding for documentaries. But the filmmaker is already firing up her next project about weddings in exile, which will pose the question to viewers: how does a bride leave her home after her wedding when she’s already lost her home in the first place?

Shahida Khanum. Photographed by Ruman Hamdani

For Shahida Khanum in the remote village of Aragam, becoming a bride didn’t change much. For one, she did not have to move into her husband’s home. Instead, at 25, she turned her father’s home into Noor Centre, where women come to learn the crafts unique to their Gujjar community. “When I was in school, we represented Kashmir at a tribal event in Madhya Pradesh. While other tribes wore traditional outfits, we were dressed in mismatched clothes. We hardly knew what our ancestors wore,” she says.

Mira Rajput Kapoor’s style has always been sensual and sultry with a touch of old-school elegance. The beauty entrepreneur doesn’t hold back from slipping into form-fitted mini dresses as easily as classic weaves with a backless blouse. Recently, Rajput Kapoor made a case for a seemingly featherlight sari by Roseroom By Isha Jajodia.

In a dreamy peach shade, her drape is made using delicate lace. Fashion’s long-standing affair with versatile floral fabrication has continued for generations; while lace has taken varied forms over decades, it has never managed to grow out of its traditional connotations. We often associate lace with Victorian wedding dresses. But, if modern couture collections and street style are anything to go by, the time-honoured openwork has got an edgy rejig with its motifs, and a makeover with contemporary silhouettes. Trendsetters and tastemakers have embraced it in all its glory, and it just so happens, Rajput Kapoor has too. For a recent outing, she draped herself in a romantic pastel lace sari punctuated with monotone thread embroidery. It was paired with a plunging v-neckline sleeveless blouse. She gave the predictable drape a rain check, and instead put the pallu across the waist and over her arms, adding a chic twist.

For the fashion-forward set, a major chunk of the past year was spent obsessing over trending sneakers. The likes of dust-pink Adidas Sambas, Miu Miu x New Balance suede mules, the very nostalgic Puma Speedcats or the Onitsuka metallic leather sneakers garnered great hype. The team at Vogue India is no exception, albeit with their highly individualistic and discerning take on the kicks they choose to wear daily. From ballet-core to a timeless canvas shoe, read below to explore six editor-picks, suitable for all aesthetic palettes.

Nike Air Rift SE

Even though they continue to soar in popularity, I’ve always looked at Tabis with derision because, with my small shoe size, I’m always worried that my feet will actually look like camel hooves. Who knew that the only thing I needed to join Camp Tabis was for them to come in baby pink and with tie-up ribbons? – Sadaf Shaikh, Senior Features Editor

Nike Air Rift SE, ₹10,795

Puma Speedcat OG

I’ve been hooked on their effortless cool since I snagged a pair last September. They were undeniably the It shoe last year (thank you, Dua Lipa), but their appeal is quite timeless. As someone who wouldn’t be caught dead in overtly athletic styles, the Speedcats have surprisingly become a cornerstone of my wardrobe. And let’s not forget—they’re incredibly comfortable. – Jishnu Bandyopadhyay, Associate Fashion Features Editor

It’s telling that on the final day of the autumn/winter 2025 menswear collections, Simon Porte Jacquemus made a sudden departure. The showman who had previously taken over entire lavender fields in the south of France and hilltop villages in Capri decided instead to hold an intimate presentation of monochromatic dresses in Auguste Perret’s former home in Paris. “I want to bare myself before you, without artifice,” read the designer’s shownotes, in what felt like a subtle riposte to what has already been an overwhelming fortnight of stuff and things.

To recap: the autumn/winter 2025 season kicked off on 14 January and will continue until 3 March – during which time editors will have travelled from Pitti Uomo in Florence, to Milan and Paris for the men’s shows (where the fashion set will remain for a week of Haute Couture presentations) before flying to New York and London, and back again to Milan and Paris, for the final leg of women’s collections. There are also alternative fashion weeks like Berlin and Copenhagen that take place in between, increasingly given the same press treatment as traditional capitals.

The antidote to all this noise lies in you. In cultivating your likes and dislikes. In being discerning about what you give your precious (and it really is precious) attention towards. In developing a critical eye. Because there is much to admire from fashion if you adjust the lens. Dior’s funereal pulse; the mental aphrodisiacs stirred up between Mrs Prada and Raf Simons; Willy Chavarria’s cast walking to the speech Bishop Mariann Budde’s made to Donald Trump; everything Martine Rose does, but mostly how she discovers beauty in places where others can’t. Here are six things to remember from the men’s autumn/winter 2025 shows. (You might find something you love… or better still, something you don’t.)

Prada swore in a new world disorder

Prada menswear autumn/winter 2025.

Prada menswear autumn/winter 2025.

“I’m interested in seeing how it comes together,” said one critic after previewing Prada’s autumn/winter 2025 collection 24 hours before the rest of us. “I’m not quite sure how it will look as a whole.” That comment, uncharacteristically hesitant from this particular enthusiast, hinted at the unconventional grab bag of characters that would later travel through a three-storey warren of scaffolding at Fondazione Prada. There were piped pyjama sets and rough-patched leather suiting; high-shine gilets and ivory silk tailoring; children’s tops in 1970s camper-van florals and bombers collared with rugged pelts of shearling. Pretty much everything had been anchored to slim-cut trousers and scuffed cowboy boots. “Prada man was breaking down then putting on multiple looks in the lexicon – from caveman to cowboy to businessman and more – all at once, apparently with scant regard for the conventions of context, image or intention,” said Vogue’s Luke Leitch. Backstage, Miuccia Prada described it thus: “It is a bit of an answer, as always, to what is happening,” she said. “So we have to resist with our instinct, and our humanity, and our passion, and our hands in a world that is becoming so conservative.” It was the most covetable collection of the entire menswear season.

Kim Jones presented his best Dior collection yet

Dior menswear autumn/winter 2025.

Dior menswear autumn/winter 2025.

It was a collection that rivalled Kim Jones’s autumn/winter 2017 proposal in standing ovations alone, back when he unveiled a Supreme collaboration with Dior that would inculcate an entire era of streetwear partnerships. But the designer’s autumn/winter 2025 collection was his most beautiful to date. “The customer wants to see something new,” he told the press backstage. “Fashion’s gotten very, very fast. I think social media has made people’s attention span very, very short, and so hype can sometimes win over craft.” And so, Kim stripped things back to source: drawing on the architecture of Dior’s “H-Line” haute couture collection of autumn/winter 1954 in linear tailoring with tucked waists, pink silk faille swing coats and belted kimonos. And, as rumours continued to swirl around Dior’s all-but-confirmed leadership changes, Jones sent his models into a symbolic unknown, their eyes obscured by blindfold ribbons, as if nobly accepting their fate. Not long after the house lights dimmed on his autumn/winter 2025 presentation, friends and admirers of Jones (including Anna Wintour, Kate Moss, Gwendoline Christie, Robert Pattinson, Lulu Kennedy and Rick Owens) gathered to see the designer knighted as a Chevalier de la Légion d’Honneur – France’s highest civilian award.

But Paris was really for the daddies

Willy Chavarria autumn/winter 2025.

Photographed by Acielle / Style Du Monde

The energy at Sabyasachi’s 25th-anniversary show is mystical. The star-studded guest list is yet to fill the halls outside, and the piercing gaze of the 50-year-old designer haunts the cosmic set that sits empty at the moment. Backstage, models r around in embellished trenches and fur-lined skirts. Most are comically half-dressed, running around for final touches. Supermodel Christy Turlington, who is to conclude this elephantine affair, is ready. As I meet her, a grin spreads across her face. I am immediately taken by her seemingly ageless skin and glimmering eyes.

Dressed in ivory grey cashmere pants, and an onyx pashmina sweater, Turlington looks quite laid back, except for the plethora of jewels that adorn her. From layered necklaces and crucifix earrings to bangles and bracelets—the bling is endless. “I feel chic and very comfortable,” she tells me. “I am always cold, so I am very happy to have this sweater on.”

This is Turlington’s seventh trip to India, when I ask her what keeps her coming back, pat comes the answer—“I love India, there’s just so much to discover,” she says. “I’ve been here several times and I feel like it would take a lifetime to see all that India has to offer.” When she’s here, there is always a long bucket list of things to do. But there are two things she must get a hold of. “I have to eat dosa. Also, I absolutely love my masala chai and I’ve had several of those since I’ve been here. Those are my must-do’s in a very short amount of time.”

As we talk, newer models pass by. They often glance at Turlington with reverence. After all, the supermodel ruled the runways in the 90s and still brings an irresistible sense of grace to the few shows and fewer interviews she does now. “The 90s were so much fun. And the other models I worked with were all like sisters. We would stay in the same hotels, share a room sometimes, and would go shopping when we wanted to celebrate any long day or moment,” she reminisces when I ask her about the time. One would expect her favourite moments to be related to a show, but the one thing she looks back upon most fondly is the time she spent with the children of her peers. “Yasmin Le Bon for instance, had two little girls when we were working together. It was so much fun to play around with her daughters and bring them along on our adventures in the city,” Turlington remembers.

In a world dominated by fast fashion and global influences, millennials are rediscovering the charm of Indian Clothes. They’re redefining how traditional Indian Dresses are worn, blending heritage with a modern flair. This shift isn’t just about aesthetics; it’s a celebration of cultural pride while embracing contemporary styles. Let’s dive into how Indian Outfits have become the ultimate choice for millennials, from weddings to casual wear, and why they’re here to stay.

A Fresh Take on Tradition

Millennials have a unique way of breathing life into traditional Indian Dresses. Rather than sticking to conventional styles, they experiment with cuts, fabrics, and accessories to make them more versatile. Whether it’s a Kurta For Men paired with sneakers or a lehenga with a crop top, the possibilities are endless.

Why Millennials Love Indian Outfits

1. Cultural Connection: Indian Clothes allow millennials to stay connected to their roots, especially during festivals and family gatherings.
2. Versatility: Modern Indian Dresses can be styled for formal events or casual outings.
3. Sustainability: Investing in handcrafted, timeless Indian outfits is a step toward sustainable fashion.

The Millennials’ Wardrobe Essentials

1. Kurta for Men: A Timeless Staple

For men, kurtas are no longer limited to weddings or traditional occasions. Here’s how millennials are redefining this classic:

• Layer It Up: Pair a solid kurta with a jacket or blazer for a smart casual look.
• Experiment with Fabrics: From linen for summer to velvet for winter, kurtas now cater to every season.
• Street Style Fusion: Combine a kurta with ripped jeans or sneakers for a trendy yet cultural vibe.

2. Sarees with a Twist

For women, the saree has evolved beyond its traditional drape. Millennials are opting for pre-stitched sarees, pairing them with belts, or experimenting with unconventional blouse designs. This blend of classic and edgy makes the saree perfect for parties, office events, or even casual wear.

3. Indo-Western Lehengas

Lehengas have become a playground for creativity. Think crop tops instead of blouses, capes instead of dupattas, and sneakers instead of heels. This reinvention allows millennials to enjoy the elegance of Indian Dresses without compromising on comfort.

Modern Fabrics and Cuts

Indian Outfits have seen a wave of innovation in fabrics and cuts, catering to the millennial demand for both style and practicality.

Fabrics That Millennials Love

• Chikankari Cotton: Perfect for summer weddings and casual outings.
• Silk Blends: Offering the luxe feel of silk without being too heavy.
• Sustainable Options: Organic cotton and recycled fabrics are gaining popularity among eco-conscious millennials.

Cuts That Redefine Tradition

• High slits in anarkalis for a contemporary look.
• Asymmetrical hemlines in kurtas for added flair.
• Tailored fits in sherwanis for men, ensuring a sleek and modern silhouette.

Styling Indian Dresses for Everyday Wear

One of the biggest reasons millennials love Indian Clothes is their adaptability. Here’s how they’re styling them for everyday wear:

For Work

• Women can opt for straight kurtas with palazzos or trousers, paired with minimal jewellery for a polished look.
• Men can wear short kurtas with chinos for a smart-casual vibe.

For Casual Outings

• A printed Kurta For Men with rolled-up sleeves, paired with denim, works perfectly for brunches or movie dates.
• Women can go for a flowy maxi dress inspired by Indian prints, paired with sandals and a sling bag.

The Role of Accessories

Accessories play a crucial role in elevating Indian Outfits. Millennials are all about finding the right balance between traditional and modern:

• Statement Jewelry: Chokers, jhumkas, and silver oxidized jewellery are favourites.
• Footwear Fusion: Sneakers with lehengas, loafers with kurtas—millennials are rewriting the rules.
• Belts and Bags: Adding a belt to a saree or carrying a crossbody bag with a kurta adds a modern edge.

The Influence of Celebrities and Social Media

Celebrities and influencers have played a significant role in popularizing Indian Dresses among millennials. Platforms like Instagram and Pinterest are filled with styling tips, making it easier for millennials to experiment. Celebrities like Ranveer Singh, Alia Bhatt, and Deepika Padukone often sport contemporary Indian outfits, setting trends that are quickly adopted by their followers.

The Rise of Online Shopping

The convenience of online shopping has made Indian outfits more accessible to millennials. Whether it’s finding a Kurta For Men online or exploring unique lehengas, online platforms offer a wide variety of options. This ease of access has encouraged more millennials to embrace Indian Clothes.

What to Look for When Shopping Online

• Detailed product descriptions to ensure the perfect fit.
• High-quality images for a clear view of fabric and design.
• Reviews and ratings to gauge the authenticity of the product.

Indian Dresses for Every Occasion

Millennials are proving that Indian Outfits are suitable for all occasions, not just weddings or festivals.

Festivals

• Women can experiment with Indo-western sarees or anarkalis with unique cuts.
• Men can choose embroidered kurtas paired with dhotis for a festive look.

Weddings

• For bridesmaids, lehengas with capes or off-shoulder blouses are trending.
• Groomsmen can opt for pastel-coloured sherwanis for a sophisticated yet modern vibe.

Casual Get-Togethers

• A kurta with ripped jeans for men or a printed cotton dress for women makes for a chic yet casual look.

Conclusion: Tradition Meets Trend

Indian Clothes are no longer just about tradition; they’re a canvas for self-expression, creativity, and cultural pride. Millennials have embraced this versatility, making Indian Dresses a staple in their wardrobes. From the timeless charm of a Kurta For Men to the elegance of modern sarees and lehengas, Indian Outfits are truly timeless. At Nihal Fashions, we celebrate this perfect blend of tradition and modernity. Explore our collection to find Indian Clothes that suit your style and redefine your wardrobe with timeless elegance. Let’s keep the heritage alive while stepping into the future of fashion!

The soirée quiets down as a bellowing voice announces that the show is about to begin. Like a hive that has been smoked, 600 guests drop their glasses of champagne, and plates of cold cuts and cake around the unending grazing table. Across faux taxidermied tigers and cheetahs, over layered vintage carpets, the crowd squeezes itself into a mini Calcutta.

The entrance is recognisable, at least to me. Two dilapidated mossy houses with characteristic North Kolkata features are connected by clotheslines. Unassuming garments hang lifelessly on them. Crumpled—as if wrung by hand moments ago, like our grandmothers would do. Through a few colonial pillars, we enter the main hall.

The song that consumes the atmosphere is a rendition of ‘Jokhon porbe na mor payer chinho,’ written and composed by Rabindranath Tagore in 1916. For a milestone celebration like this one, the track feels ironic yet apt. The lines of the tune translate—“When my footsteps will not be printed on this road / I shall not be there to row my little boat across this pier / All businesses closed / I would repay all my debts / Cease to visit this village marketplace / One may choose not to remember me / May not recall me gazing up at the sky.”

Once everyone is seated, the energy quickly morphs. Asha Bhosle and Lata Mangeshkar’s Bengali hits from the 60s are coupled with Leonard Cohen and Usha Uthup numbers. Khorkhori windows in green—the colour once most affordable to the British East India Company in the former capital city—find themselves on verandas of the yore. The houses that skirt the runway are detailed down to the switchboard, with the iconic flcikable switches I haven’t used in decades. A lone printed sari, reminiscent of Sabyasachi’s initial collections, hangs itself lavishly from one of the balcony railings.

Alia Bhatt arrived for Sabyasachi’s quarter-century celebrations clad in the designer’s signature silhouette—the sari, restricting his quintessential maximalism to her bejewelled blouse. No less than a culture-defining regalia, the burgeoning designer’s 25th anniversary held at the Jio World Convention Centre, witnessed over 100 models, and 600 guests, encompassing decor as well as Deepika Padukone and Christy Turlington walking together for the show’s close.

The line-up witnessed an array of an expected yet astounding dose of maximalism rendered to everyday staples such as trenches, short skirts, wide-legged trousers, and even high-neck knits. Surprisingly, the more ethnic silhouettes were kept minimal, allowing the billowing fabrics to do the majority of the heavy lifting.

Alia Bhatt’s ensemble, also plucked from the show’s collection, played around with one of Sabya’s signature and original design codes: the plunging neckline blouse often countered with its full-sleeved more modest sister. Styled by Ami Patel, Bhatt’s pure-silk sari was a perfect example of what Sabya mentions about craft in his conversation with fashion authority, Suzy Menkes. “The living culture of craft is supported by women because they’re the biggest consumers of craft. Whether it’s jewellery or clothing, women love their maximalism and traditional clothing. Women in India wear traditional clothing more than the men do and have been the true propagators and supporters of craft,” the visionary designer shares with Menkes.