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This embellishment has been so successful that the Turkish label started affixing hardware to their footwear offerings as well. The duo believes it’s the “fusion of old-world charm and modern-day practicality” that draws in shoppers—including Taylor Swift, Kate Middleton, and Zoey Deutch—like moths to a flame. “Our belted buckle has been one of our signature details for quite a while now,” they said. “We were probably the very first ones [on] the belted-bag trend.”

The Birkin’s draw lies not only in its outlandish price point but also in its exclusivity. Most people can’t afford one, and even those who can might not be able to secure their design of choice. In this way, Manu Atelier and other brands like them provide a more democratic system for attaining the hero piece.

Addison Rae shows off the Miu Miu Aventure at the Miu Miu spring 2025 show in October 2024.

Jacopo M. Raule/Getty Images

Thus far, the great Birkinfication seems to be a lucrative business strategy, even for low-end retailers. At the end of 2024, the US retail chain Walmart went viral for its Birkin doppelganger—which the internet facetiously dubbed the Wirkin—selling out the handbag immediately. Meanwhile, the most sought-after collaboration of the last year came when Tibi added a men’s belt to L.L.Bean’s Boat and Tote and raised the price tenfold.

Likewise, luxury department stores are seeing new interest in buckled styles directly reminiscent of Jane Birkin’s famous bag. “Belted bags are a huge trend, especially in an elevated tote or satchel shapes,” says Marissa Galante Frank, fashion director of accessories and beauty at Bloomingdale’s. “The pace at which trends have been moving can be exhausting, and customers are looking to invest in timeless pieces they can wear season after season.”

Katie Holmes carries the Manu Atelier Le Cambon bag.

Photo Patricia Schlein/Star Max (Getty Images)

As a result, the retailer is now launching new belted-bag styles across all price points in order to meet demand. “DeMellier’s New York tote bag has been wildly popular,” Galante Frank says. “We have customers asking for DeMellier’s bags by name, and we continue to expand the assortment with different colours, textures, and sizes. It is practical enough for the office but sophisticated enough to wear out to dinner.”

The fabled bag has become fashion’s great unifier, transcending mere status symbol to become a yardstick for success. It’s the ultimate aspiration for billionaires and middle-class fashionistas alike who hope to one day claim one as their own. Until that day comes, however, these more affordable contemporaries exist to make that validation feel just a little bit more within reach.

Demellier Hudson tote bag

Mytheresa belted leather tote bag

Saint Laurent Manhattan bag

Are skinny pants making a comeback? The answer to that question is a resounding yes. If you have a few of them lying around from the 2010s, or planning to invest in one this year, there are ways to wear them that won’t make you look dated. Looking at the runways can help. From Off-White’s high-waisted options, and Sandy Liang’s cropped versions, to Acne Studios’ ruffled designs, here’s how to look at skinnies in a completely different light.

Bohemian skinny pants in earthy hues

Isabel Marant, spring-summer 2025

Peter White/Getty Images

Isabel Marant’s spring 2025 show showcased skinny pants—a style that has often faced criticism. They came in a rich, dark brown with unique embellishments, offering a chic alternative to the blue denim usually associated with the bohemian look of the 2000s. The slim-fitted pants, slightly dropped at the hips, felt modern and sophisticated. They looked refreshing paired with flowing blouses, tops with dramatic sleeves, or even crop tops.

Tailored skinny pants with a jacket

Acne studios, spring summer 2025

Stephane Cardinale – Corbis/Getty Images

Tailored skinnies are incredibly versatile, perfect for casual weekends and a long day at work. Swedish brand Acne Studios’ SS25 show seamlessly integrated this trend into a versatile collection, proving that you can look both stylish and sophisticated while adhering to dress codes. Setting them apart from ordinary trousers, the unique wrinkled effect at the hem added a touch of unexpected detail that is sure to make a striking statement in a sea of formal suits in a corporate setting.

High-waisted skinny pants in bold colours

Courtesy vogue.com
Off-white spring summer 2025

High-waisted pants are back in style, just like they were popular in the 2010s. Add a sung silhouette to add a modern twist to the classic skinny. Off-White recently showcased a design that seems to be inspired by Britney Spears’ iconic red latex suit from the ‘Oops!… I Did It Again’ music video. This spring, try pairing these modern red skinny pants with strappy heels and a sheer top.

Every woman loves carrying sarees, whether or not they’re for a selected occasion or regular put on.

Daily wear designer sarees are a tremendous preference if you`re attempting to find something less expensive and fashionable. Because those sarees are to be had in such a lot of distinctive designs and hues, they move nicely with a huge variety of blouses and accessories.

Women’s sarees are best for informal, every day put on, mainly people with prints. They are ideal for each enterprise and amusement sports due to their various designs, which consist of abstract styles and floral motifs. Printed sarees are extra exciting and simpler to put on than conventional sarees, which would possibly be overly formal. They additionally offer flexibility and mobility of movement, making them some distance extra comfortable for prolonged durations of time.

Comfort is crucial whilst deciding on an object for regular use. Lightweight printed sarees for everyday wear by women, crafted from cotton or chiffon, are perfect for hot and steamy days. You can appear chic and stay cool in these textiles. Wearing a printed saree can let you look chic without sacrificing comfort, whether you’re out and about, at the office, or at a family gathering.

• Choose Fabrics that are Breathable and Light

Printed sarees manufactured from cotton or rayon are best for regular wear. These are best for hotter climates due to the fact they’re breathable, comfy, and practical. Not to say how reasonably-priced and clean they are to hold up with. Stay away from silk and other thick textiles; they’re pricey and could feel too stuffy for everyday wear.

Stick to timeless patterns like checks, stripes, or florals if you’re trying to save money. These patterns will always be in vogue and will complement any top. While designs with a lot of detail or bold colors could be eye-catching, they can be pricey and not practical for daily wear.

• Go for Less Expensive Alternatives

Women can find printed sarees in a variety of styles and price points from many different companies. Indian wedding saree and different professional companies regularly have sales or on line specials wherein you may discover modern-day models at less expensive prices. For the nice deals, hold a watch out for seasonal income and unique offers.

• Choose Sarees in a Variety of Colors

Pick colors for your printed sarees that go with a variety of blouses if you’re shopping for everyday wear. You can’t go wrong with adding pieces in colors like light pink, mustard yellow, or navy blue to your closet because of how adaptable they are.

• Stick to the Basic Accessory Styles

Accessorize your printed sarees with light-colored items for a minimalistic style. All that’s needed to round off the look is a lovely purse, a thin bangle, and a set of tiny earrings. You may maintain a fashionable and budget-friendly look just like this.

• Go Well With a Simple Blouse

Wearing a plain blouse with a printed saree for everyday wear will help to create a balanced look. White, black, or a solid color shirt that complements the saree’s print will keep the ensemble looking put-together and chic. Brings attention to the pattern. ensures that the ensemble remains well-groomed and fashionable.

• Experiment this by Wearing it in Various Draping Methods

You can change the whole appearance of a printed saree by trying out various draping techniques. For example, a more loose or contemporary drape is great for casual use, but a more conventional drape is ideal for formal occasions.

Online shopping has made it easier than ever to get affordable printed sarees that are elegant enough for everyday use. Seasonal sales and discounts are only two of the various ways that many online retailers provide printed sarees at steep prices.

Affordable printed sarees are available in plenty at Indian wedding saree, making them ideal for everyday use. You can find affordable options in their collections that nevertheless provide style and comfort.

Local shops regularly have fairly priced cotton or rayon sarees for women, which might be tremendous for informal occasions. To get the nice bargains, save for the duration of end-of-season income or whilst gadgets are marked down.

Read more – https://blog.indianweddingsaree.com/discovering-the-perfect-saree-styles-for-every-wedding-event

Comfort, style and affordability all come collectively in patterned sarees, making them a tremendous choice for regular wear. Not most effective are they versatile, however they’re additionally smooth to wear and are available in a huge variety of styles.

If you stick with light fabric and simple traditional prints, you can appear elegant without breaking the bank. Printed sarees are perfect for everyday casual wear and may be worn to the office, the mall, or a day out with friends.

Koechlin kept the focus on her outfit with her hair pulled back in a sleek bun. Silver dangler earrings and a few metallic rings from Tribe by Amrapali completed the look.

Her makeup was kept understated, highlighting her natural features through subtle touches of highlighter, a nude lip colour, and well-defined brows.

Mirroring this trend, Mahira Khan also opted for ethnic wear for her birthday, choosing a sequinned sari from Rohit Gandhi and Rahul Khanna.

From Vogue‘s fashion desk:

“To shift its mood, replace the trousers with high-waisted, wide-leg denim in a deep indigo wash for a more relaxed, daytime feel. Pair with pointed flats or leather mules to add a practical touch. A structured, top-handle bag in a bold, solid colour—such as red or mustard—can introduce a playful contrast. Finish with a loose, low bun and a barely-there wash of peach blush,” suggests Vogue India‘s Fashion Associate, Manglien Gangte.

Also read:

Kalki Koechlin serves up winter florals in a handwoven Anavila sari

Kalki Koechlin’s green and blue Bhaane outfit is proof that neutral looks don’t need to go full Olsen twin

Kalki Koechlin in Raw Mango’s kurta serves as a reminder for a wardrobe upgrade

“My style is exactly an extension of my personality—minimal, classic and effortless. I’d rather be the most underdressed person in the room than be the most overdressed person,” Diana Penty revealed during an interview with Vogue India back in 2020. But lately, it seems like the Cocktail actor has been experimenting more with her fashion choices.

Channelling her inner Wednesday Addams, Diana stood out in a midnight-blue frill blazer-skirt set from MellowDrama—an ensemble that blurred the lines between masculine and feminine. The set featured a finely fitted blazer with 3D zipper frill detailing at the shoulder fronts, adding an unexpected edge to the classic silhouette.

The lapel collar, buttoned front opening and tie lent a touch of traditional tailoring, while the welt pockets and padded shoulders provided structure and a hint of masculinity. The midi-length pencil skirt, also featuring the distinctive 3D zipper frill detail at the hem, provided some unexpected femininity to the otherwise androgynous look. Frill details are having a moment, as we’ve seen them on everything from saris to LBDs, and Penty’s is yet another fresh take on the classic embellishment.

Diana Penty further anchored the ensemble with sleek knee-high boots from Stuart Weitzman. Minimalist yet impactful, she accessorised with a shimmering silver bag from Rabanne, delicate silver dangler earrings and a silver ring. Leaving her hair open in soft, voluminous waves, she opted for smoky eyes and a soft nude lip to complete her look.

From Vogue‘s fashion desk:

“To amplify its romantic drama, lean into textures that glisten in the evening light—perhaps a crystal-embellished clutch, like the one styled here, to add a touch of sparkle. Glossy leather boots are a strong, grounded choice, but you could swap them for heeled Mary Janes for a more effortless feel. Finish with softly tousled waves and a classic red lip” says Vogue India‘s Fashion Associate, Manglien Gangte.

Also read:

Sonam Kapoor and Diana Penty chose soft brown eyeshadow and nude lips in the best beauty looks of the week

9 times Diana Penty made an exceptionally well-dressed wedding guest

You’ll find it all on Diana Penty’s Instagram—from beauty to wellness tips

It wasn’t long ago that bows were inescapable. They were affixed to dresses, tied-back hair, and even adorned homewear. They were the mascot of the coquettish “girlhood” trend. Now, it seems, we’re finally ready to move on.

Celebrities are trading the saccharine styles in for something more masculine, more businesslike: neckties. The seeds were sewn early last year with the “office siren” trend, a digitally native, sexed-up take on officewear. Now, as offices are implementing actual return-to-office plans, it’s no surprise that takes on traditional workwear are coming down the pike.

Hailey Bieber in Los Angeles, 2024.

Photo: Getty Images

While celebrities aren’t exactly spending 40 hours a week in cubicles, they are more than game for good old-fashioned suits and neckties. In October, Justin and Hailey Bieber enjoyed a date night at LA hotspot Funke, Hailey wearing a grey double-breasted suit, white button-up, and burgundy patterned necktie from Saint Laurent’s spring 2025 collection.

Bieber, though she may be channelling her inner entrepreneur, isn’t the only stylish celebrity to give the necktie a try. Awards season has already proven itself an opportunity to try the more formal masculine style. For the 2025 Palm Springs International Film Festival, Selena Gomez went the dapper route in a white suit from Ralph Lauren. Still, Gomez maintained femininity with the jacket’s nipped-in waist and the slim-fitting trousers that floated just above the ground.

Selena Gomez at the 2025 Palm Springs International Film Festival.

VALERIE MACON/Getty Images

Closer to home, Ananya Panday attended the Indian Sports Honours Awards last November sporting a classic Ralph Lauren look. She wore a structured double-breasted flannel blazer with matching tailored trousers, giving a modern twist to the iconic 80s power suit. Panday paired it with a sleek white satin shirt and a subtle grey tie. Her accessories were minimal yet impactful, featuring a single diamond ear cuff, a statement ring, and a slicked-back hairstyle for a sophisticated finish.

Ananya Panday at the 2024 Indian Sports Honours Awards.

Saurabh Das

Kriti Sanon, for The United Nations Population Fund’s 50-year anniversary, put on a gingham three-piece from the British label Helen Anthony. With a contrasting deep-maroon floral necktie, the actress made a case for cubicle-core fashion. Silver hoop earrings, an oxidised rose brooch, and oxblood pumps completed Sanon’s look.

Kriti Sanon at UNFPA’s 50 years celebration.

Chandrahas Prabhu

Ties can also be an extension of jewellery. At the 2025 Golden Globes, Ayo Edebiri paid homage to Julia Roberts’s 1990 Globes suit. Edebiri levelled up the grey Loewe suit with a matching button-up with a gold feathered tie—a step above the traditional fabric tie.

Ayo Edebiri at the 2025 Golden Globes.

Photo: Getty Images

Julia Roberts at the 1990 Golden Globes.

Ron Galella, Ltd./Getty Images

The look, like all trends, ebbs and flows. While we’ll always have Avril Lavigne’s punky take, Anushka Sharma‘s tartan rendition, and Zendaya’s sculpted formalwear to look back on, the return to the office seems to be inspiring a whole new wave of the necktie.

Avril Lavigne at the 2002 MTV Video Music Awards.

Photo: Getty Images

Anushka Sharma at the 2019 Vogue India Women of the Year Awards.

Viral Bhayani

Zendaya at the 2022 Vanity Fair Oscar Party.

Future Publishing

A version of this story first appeared on Vogue.com

Mira Kapoor’s wardrobe is a well-rounded mood board for the elegant dresser, where options range from pleasant day dresses and crisp yet feminine business-wear to vacay-worthy pops of colour.

For the launch of Parisian high-street brand Sandro at the Jio World Plaza in Mumbai, Mira Kapoor opted for a black knit maxi dress from the brand, punctuated with an array of metal studs and hemmed with a delicate ruffle. Mira Kapoor paired the dress with tie-up tangerine heels and a butter-yellow manicure, adding a pop of colour to the monochromatic look.

Continuing her lesson in staples, Kapoor also donned what would be the most duped jewel design of the past year; the chunky gold drops—an iteration of the earrings first popularised through Matthieu Blazy’s debut autumn-winter 2022 show for Bottega Veneta. Since then, these curvaceous, minimal yet statement earrings have been seen everywhere, including an XL version worn by Kylie Jenner.

From Vogue‘s fashion desk:

“Trade the heels for sharp black mules or strappy sandals to keep the silhouette elongated. A minimal, structured clutch in metallic tones will feel current without competing for attention. Finish with a clean, slicked-back ponytail and a subtle wash of metallic eyeshadow to underscore the dress’s industrial-glam aesthetic,” suggests Vogue India‘s Fashion Associate, Manglien Gangte.

Like any self-respecting designer, Adrian Appiolaza, the Argentinian who took over Moschino last year, is an avid researcher. Some use Pinterest and Instagram; others—most, I’d like to think—favour Vogue Runway. But Appiolaza is more analogue in his approach; his research starts with the actual clothes.

Together with his partner, Ryan Benacer, a fellow fashion designer, Appiolaza owns 20 Age Archive, an impressive collection of (mostly) 20th century vintage ranging from conceptual Comme des Garçons and Maison Margiela to iconic footwear by Nicolas Ghesquière at Balenciaga and Phoebe Philo for Céline. “But,” Appiolaza clarifies on a call from the Paris apartment he shares with Benacer, “I was buying vintage before I thought I was collecting. How it really started is that I began to work and needed to find inspiration.” He was curious about the inner construction of garments by Rei Kawakubo and Yohji Yamamoto, and favoured “pieces from the ’80s” to wear. These interests fed what is now a robust assortment of more than 4,000 pieces.

A wall of archival vests by Franco Moschino.

Photographed by Alex Huanfa Cheng

Dress by Patrick Kelly.

Photographed by Alex Huanfa Cheng

After a childhood in Buenos Aires, Appiolaza decamped to London in the early 1990s to study at Central Saint Martins. He got his feet wet in fashion with jobs at Alexander McQueen, Miguel Adrover, and Phoebe Philo’s Chloé. From his early days, he loved buying vintage, but the real romance began when he met his partner in 2016. Our obsession “grew quickly, because it was still a time when people weren’t necessarily interested in those things, so you could find really good deals,” Benacer says. Something they shared from the get-go? “My first love was Comme des Garçons,” he says, same as Appiolaza, though now they favour Jean Paul Gaultier and Martin Margiela, respectively. Another thing they have in common: “I was at first looking for things to wear myself, because I’m flamboyant and like to wear the clothing,” says Benacer. Both he and Appiolaza are frequently seen in Vogue Runway’s street style photos, often wearing their archive pieces.

Comme des Garçons, spring 1997 “Body Meets Dress, Dress Meets Body” look paired with a Comme des Garçons Homme Plus, spring 2015 shoe.

Photographed by Alex Huanfa Cheng

Comme des Garçons, spring 1997 “Body Meets Dress, Dress Meets Body” look paired with Céline, spring 2013 shoes by Phoebe Philo.

Photographed by Alex Huanfa Cheng

Balenciaga, fall 2007 shoes by Nicholas Ghesquière and Pierre Hardy.

Photographed by Alex Huanfa Cheng

Photographed by Alex Huanfa Cheng

What started as a passion project and research library for Appiolaza soon evolved into a business with Benacer in the picture. With vintage booming in 2021, fuelled partly by clotheshorse celebrities like Zendaya and Bella Hadid, “we realised that we had these pieces that had a meaning, that we could do something with them so they don’t sit in the apartment,” Appiolaza explains. Pre-pandemic, they started renting out pieces for advertising projects, but it became a full-time thing when Benacer lost his job during the shutdowns and had more time to dedicate to the project.

“This to me was the grail of conceptual fashion,” Appiolaza says of this Martin Margiela, fall 1989 broken porcelain waistcoat. “I look at it all the time and feel joy, it’s that kind of obsession.”

Photographed by Alex Huanfa Cheng

Together they christened it 20 Age Archive, creating a proper digital catalogue and an email newsletter. (I was following Appiolaza on Instagram at the time, fascinated by both his archival discoveries and the behind-the-scenes glimpses he’d share from his job. Often, I tried to connect his current work and the vintage he’d share: “I was trying to limit how much I was showing because of my job, but I was so obsessed with the archive that sometimes I couldn’t hold myself back,” he says, continuing with a laugh, “I guess my passion for the archive pieces we have was stronger than my common sense.”)

Jean Paul Gaultier, fall 1985 dress.

Photographed by Alex Huanfa Cheng

Maison Margiela, spring 2001 gloves waistcoat.

Photographed by Alex Huanfa Cheng

Jean Paul Goude Violin pants for the 14th of July défilé of 1989.

Photographed by Alex Huanfa Cheng

Junya Watanabe, fall 1998 dress.

Photographed by Alex Huanfa Cheng

It’s passion, not common sense, that factors into the equation when they set their sites on an acquisition. “It’s so nice to rebuild the puzzle of the past,” says Benacer, a ’90s kid, rather poetically. “Most of the things I buy are older than me. Since I never lived those years, I’m living through the stories of what people tell me.” Appiolaza, for his part, was in London in 1997 when the Comme des Garçons “Body Meets Dress, Dress Meets Body” collection came out, of which they own several pieces. “This was unreachable for me. So now to be able to own these pieces… it’s very fulfilling to bring the past to today and be able to appreciate it in real life.”

The pair now also collect pieces from the labels where Appiolaza has worked over the course of his career, but the Franco Moschino originals, in particular, have special meaning now. “Because my starting there was very abrupt, I needed to be practical and resourceful to do something quickly,” he says. “The fact that there was an archive available, was, for me, bingo! My immediate thought was to just go and see the archive, and it remains very important as I transition from my first collection to the next one, and the next one—it’s a way of learning about Moschino going to the archives.”

Adrian Appiolaza, left, in Comme des Garçons Homme PLus fall 2020. Ryan Benacer, right, in an Issey Miyake shirt and Jean Paul Gaultier theater costume from “Pinocchio,” 1998. Both wear pieces from their archive.

Photographed by Alex Huanfa Cheng

A Louis Vuitton x Takashi Murakami trunk (Louis Vuitton, spring 2003) and a Louis Vuitton x Stephen Sprouse (Louis Vuitton, spring 2001) jacket with miscellaneous accessories.

Photographed by Alex Huanfa Cheng

Not to say that it will always be like this: “I’m interested in learning and creating a new language, but one that’s impregnated with the DNA,” Appiolaza says. “I breathe vintage, so it’s natural that it comes through my creative and personal language.” Also top of mind is the idea of “future vintage.” “I think when you create in my position, because I’m a collector and I love design from the past, it is definitely in my mind to do something that could live through time,” he explains. “You want to make things that will feel special, as specialists; that in 20 years people will look at it and say, oh wow, that’s an interesting approach to design.”

This story first appeared on Vogue.com

Also read:

Takashi Murakami on his Louis Vuitton re-edition collection—“20 Years have passed in the blink of an eye”

South Asian DJs share their unique Boiler Room style featuring corsets, thongs and bindis

Inside India’s preloved fashion marketplaces, where women trading luxury bags turn into fashion’s new stock scavengers

The mind-bending drama is back for a second season and plunges deeper into the chilling world of Lumon Industries, where employees undergo a controversial procedure to split their work and personal lives. Picking up from the gripping season one finale, Mark Scout (Adam Scott) and his colleagues grapple with the consequences of their severed memories while uncovering dark secrets about their enigmatic employer. As they confront their fractured identities, new players, played by Gwendoline Christie, Alia Shawkat and Bob Balaban, enter the scene, complicating the tense narrative. The stellar returning cast includes Patricia Arquette, John Turturro, Britt Lower and Christopher Walken.

Streaming on Apple TV+

The Roshans (January 17)

“We happened to meet at a shoot and realised we had a common friend, and that broke the ice quite easily. Sheldon lingered around to hang out with me and that’s how I knew there was a spark between us,” shares celebrity fashion stylist Meagan Concessio about her first meeting with husband Sheldon Santos—a celebrity photographer who works with Karan Johar, Kartik Aaryan, Sonam Kapoor Ahuja, Anil Kapoor, and the likes.

After a few years of dating, a proposal followed and the couple sealed the deal with a wedding at the beginning of this year. “We took a trip to Vietnam to ring in my birthday. After breakfast, Sheldon took me on a walk in the resort where we sat on the swings. Out of nowhere, he suddenly got down on one knee and pulled out a ring. I didn’t have a clue,” Concessio revealed.

Born and bred in Bandra, the stylist always imagined her wedding to be more classic than trendy. Keeping this in mind, the couple opted for a traditional Catholic wedding at St Peter’s Church in Bandra, followed by a reception and after-party in the evening. But they also snuck in a sangeet ceremony two days before their nuptials. “It’s our favourite Indian wedding function, we both enjoy Bollywood music and dancing,” she added. Concessio was styled by her mentor and former boss Rhea Kapoor in a blush ballgown skirt and bustier crafted using vintage, pre-loved Benarasi fabric.

For the after-party, she swapped it for a pleated mini-skirt. Paired with a crystal belt and choker, Benarasi heels by Aprajita Toor, jadau earrings and intricate haathphools by Shri Paramani Jewels, Concessio let her hair down, literally and figuratively. Santos grooved in a deconstructed black bandhgala by Kunal Rawal with custom-made Chelsea boots by Shyam Shoes.

Planned and executed by The Wedding Space Co, the couple started the wedding prep six months before D-Day, but Concessio picked out her wedding gown much earlier. “I knew I wanted an outfit that was modest but also dramatic—unlike my style which is more structured and androgynous,” says the stylist about her church wedding gown.

She adds, “I travelled to Australia in March 2024 for work, and clubbed the trip with trials at several Australian bridal boutiques. The gown I finally chose was by KYHA Studios. For the veil, my initial mood board was leaning towards pearls but Rhea suggested doing a Chantilly lace veil to complement my frame.”